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Three Cheers Vinyl Review

Thanks to reader Brett Cooper for sending this to us.

Three Cheers Vinyl Review

The much-anticipated release of Three Cheers For Sweet Revenge on vinyl was topped-off when I surprisingly received it in the mail a brief 4 days after Warners/Nonesuch had sent me my confirmation email that it had been shipped. Usually the transit time in the past has been in excess of 3 weeks due to it being shipped as a parcel. Looks like they’re shipping these out via Priority Mail for US customers, more than likely so that they will be received in time for Christmas.

So there was a good indication that this was going to be fun. Opened up the box, broke out my mini knife to cut open a slit down the right side of the LP slipcase (this allows the shrink wrap to stay on the slipcase and preserves any stickers that have been placed on the shrink wrap and also preserved the slipcase itself from wear and tear), and popped-out the contents. As promised, it comes with an MCR sticker, Three Cheers logo stencil (complete with guns). a type-written lyric sheet that is much more easily readible than that of the CD jacket, and the flip side has “production” lyrics and notes, some handwritten, some typed. Whether or not these are actually from the production of the album is open to speculation. They do look like the real deal, however, as I do possess actual production notes and handwritten lyrics in my Alice Cooper collection, so I’ve seen these types of things before. If not, they did a good job of fudging it. The vinyl itself is a beautiful, deep, blood red. Very cool. That being said, the overall packaging is not as extravagant as the packaging was for The Black Parade deluxe vinyl edition (I literally get a rush every time that I open up my copy of the album because the packaging and heavy-duty vinyl is so frigging cool), but it’s a passable job.

But this is where my pleasure kind of ends. As all vinyl buffs know, the real test is what the album sounds like. Backing up a bit, I have a really nice turntable. It plays just about anything in any condition and makes it sound good. When I put Three Cheers on last night, I literally wondered if there was something wrong with my needle. Did I need to get a new one? The album sounded so scratchy and distorted that it made me wonder if I had gotten a defective copy or something. After about 4 songs, and the scratchiness and distortions getting worse, I decided to see if it’s my turntable or the record by putting on The Black Parade. Sure enough, crisp, clear, organic, goodness comes from my speakers when I put TBP on. So it’s not my needle. Put the Three Cheers back on. Same scratchiness, same distorition. This is a bummer. I already realized that the album is not pressed on 180-gram heavy-duty vinyl (a serious oversight, in my opinion), but the production values in
its analog transfer are seriously lacking. I don’t know what else to say. Sidenote: the jacket that the record, itself, sits in inside the slipcase, is already tearing on all three unopened sides. Either the jacket was a little too small and tore when the records were put into them, or the records were put in too forcefully.

My overall grade is a C-. B+ for packaging, D- for the quality of the vinyl record. The record comes off as more like a bootleg quality of some pirated copy of a record you might pick up at a flea market in Tijuana. I would like to hear what other people have to say. Maybe I did simply get a defective copy. Somehow I doubt it.

I wear this on my sleeve…

Brett Cooper

Frank and Ray Eating Twizzlers

Random video off youtube.  It was posted today.  Coud be new could be old.  It has that its pre-production.

Anyway here it is…

Gerard Way Teams Up With Voltaire

Here is the press release and some photos…

vol3  vol2 vol1

Press Release:

For Immediate Release

Director- Voltaire and My Chemical Romance front man, Gerard Way
make Creepy Christmas film for Glass Eye Pix.

MTV and SciFi Channel station I.D. veteran, Voltaire, known for his twisted, stop-motion animation, has made a spooky holiday short for the Creepy Christmas film festival. Masterminded by artist and animator Beck Underwood and hosted by Glass Eye Pix, the production company of Larry Fessenden (Wendigo, The Last Winter, Habit), the festival is a 25-day, on-line jaunt showcasing a new sinister short every day of December leading up to Christmas.

Voltaire’s film, “X-mess Detritus” is a cautionary parable about the dangers of holiday gift-giving and the effect the resulting garbage has on the Earth. Voltaire wrote a poem to tell this tale and enlisted My Chemical Romance front man, Gerard Way to narrate his creepy Christmas short.

Says Voltaire, “My other two shorts are narrated by singers (“Rakthavira” is narrated by Deborah Harry of Blondie and “Transrexia” is narrated by Richard Butler of the Psychedelic Furs) so I wanted to keep that tradition. Plus I had been wanting to collaborate with Gerard on something for a while now so when the chance popped up, I jumped for it. He’s super talented and a true professional. He brought so much to the film and is just amazingly easy to be around”

Voltaire describes his inclusion in the festival as serendipitous . “I was picking my son up at school,” says Voltaire, “when I noticed one of the parents had a Fangoria tote bag over her arm. Being a horror fan and having worked with Fangoria I excitedly ran up to her and said, ‘Wow! Where did you get that Fangoria Weekend of Horrors tote bag?’ She looked at me matter-of-factly and said, ‘At the Fangoria Weekend of Horrors.’ I felt like an idiot.”
The next day I got an email from her. It was Beck Underwood of Glass Eye Pix, wife and long time collaborator of Fessenden’s. She was writing to invite me to participate in the festival. I’m a big fan of their work so I was really excited to receive the news.”

Born of an advent calendar created by Beck Underwood, Glass Eye Pix selected a different filmmaker to bring to life the image in each window of Underwood’s creepy countdown to December 25th.

Underwood assigned Voltaire the slot for December 18th.
The image in that particular window of the calendar featured two distressed vintage dolls. Underwood communicated to Voltaire that they lent themselves well to stop-motion animation. A veteran of stop-motion commercials and station IDs for MTV, The SciFi Channel and others, Voltaire was perfectly suited for the job. He picked up the dolls from Underwood and got right to work.

He enlisted production support from Fangoria in the way of gear and shot at the School of Visual Arts where he teaches stop-motion animation. “There were no storyboards, no guidelines,” says Voltaire, “just the dolls and a deadline. It was wonderfully liberating to be able to just let the piece develop on its own.”

As for the name of the film, Voltaire states, “One of the other things about my shorts is that their titles all sound like diseases or some kind of disorder. ‘X-Mess Detritus’ sounds like something you’d need to get a shot for! Maybe you do. It alludes to the garbage left over after Christmas.”

The Creepy Christmas Film Festival launched on December 1st, 2008 at www.creepychristmas.net.

Voltaire’s film, “X-mess Detritus” premieres on December 18th.

CLICK HERE to see the XMESS DETRITUS!